Buy the HiFi! This single download is 24 bit 48k :) ~ Dive into the sentimental magic of ‘Skateboard’ by Kristen Rae Bowden - an indie pop gem with a soaring vocal and a folk/country heart. Born out of co-writer Joe Lawlor’s (DMB) nostalgic guitar riff, ‘Skateboard’ captures the elation of tumultuous young love, college parties, skateboarding together on dark streets in the dog days of summer: the thrill and the longing. Mixed by John Alagia (Lukas Nelson) and Pedro Laet (Mt. Joy), and mastered by Whynot Jansveld (The Wallflowers).
Kristen Rae Bowden delivers ground-shaking pop hooks with her seismic new single "Fault Lines".
Inspired by a breakup that took place on California’s scenic Highway 1, the poetic lyrics make a play on words involving lines of blame and slipping tectonic plates. “It’s all your fault,” she sings, with the heartfelt sting of an old wound remembered, while the chorus brings us into the quake-ridden landscape: “Living on a fault line / where nothing feels solid and you can’t tell time / why can’t you be mine?”
Sonically the track’s sleek, spacey textures are anchored by solid, rhythmic warmth reminiscent of 1990’s pop-rock, fittingly keeping the listener in the realm of memory. Sun-soaked electronic guitars blend with the moonlit qualities of a Fender Rhodes and Bowden’s reflective layered vocals.
“There are times in my life when I feel my surroundings mirroring my feelings, or vice versa,” she says. “This was a transitional time. I felt emotionally unsteady in a place where the earth literally shakes beneath your feet. It was symbolic, like I was on candid camera, starring in an arthouse movie someone forgot to tell me about.”
“Fault Lines” is profound, vibrational pop that will stand the test of time.
Kristen Rae Bowden's new folk-infused single “Marry Me Once” is a silky ballad of self-acceptance and personal independence. Over the majestic tones of a grand piano she sings to us with vulnerable defiance: “You’re not gonna marry me once / just to say it’s forever / that’s not how forever / happens to be.” “Marry Me Once” was inspired by an ironic turn of the tides. Kristen explains, “When I was very young I thought I wanted to get married for love. In reality it was because I was afraid of the unknown. I wanted something to be 'all figured out'. Back then, thankfully, no one asked. I grew up and learned to love myself, me alone. Suddenly men wanted to seal the deal with me on paper. But I no longer wish to figure out my forever, today. I want to freely choose and be chosen, and that must happen every day, maybe every hour, whether you marry your lover or not.” Sonically “Marry Me Once” shines with warm, earthy authenticity, evoking mental images of fresh air and rolling waves. The lively vocal melody, layered velvet harmonies, and smooth guitar will draw you into an intimate natural world, where Kristen’s confessional lyrics may remind you: know thyself. There is only one person you have to live with forever, and that person is you.
Charlottesville, Virginia based artist Kristen Rae Bowden goes from earth-tones to neon with her new single “Hard to Love”. Recorded at Dave Matthews Band’s Haunted Hollow studio with Joe Lawlor (Egypt, DMB), Tevis Marshall, Dane Alderson (Yellowjackets), Nate Brown (Everything), and Rob Evans (DMB), Bowden’s first toe-dip into indie pop is a love letter to all the cynical and jaded dreamers. Released on Valentines Day as an ironic eye-roll at commercial romance, “Hard to Love” expresses the cynicism that shelters a broken heart after a breakup. Sparsely and with a hint of humor, she writes of her impulse to push new lovers away: “Here I go again / see me trying / to squeeze from the middle / so I’ll be alone again.” The track features a steady heartbeat of muted electronic drums, a vintage-y analogue synth, Lawlor’s smooth guitar, and Bowden’s layered harmonies on the anthemic chorus. In the end it’s the music, not the lyrics, that assures us she’ll fall in love again. And in the process we hear a reminder we all need from time to time… that it takes a lot of bravery to be truly vulnerable.
Your "Language & Mirrors" digital download is high quality WAV files.
The right kind of friction creates glorious sparks. Coursing within the heart and mind of singer-songwriter Kristen Rae Bowden is a beautiful turmoil of tenderness and willfulness. It’s a paradoxical sentiment also evident in her artistic sensibilities. On her masterful debut, Language and Mirrors, she fluidly, and authentically, inhabits earthy Americana and majestic orchestral rock.
Select album standouts include “Driven To Roam,” “Party On The Mountain,” “Solid Ground,” and “My Father’s Daughter.” “Driven To Roam” opens with a lilting melancholy piano figure, ethereal guitars, and smoldering vocals. Its orchestral expanse surges upward dramatically as the song unfolds, lending the feeling of an emotional odyssey. The country-tinged “Party On The Mountain” pines for those carefree nights of yore drinking in the fields of her hometown of Boone, North Carolina with her high school buds. “It’s one of the few songs I’ve written not inspired by feelings of frustration,” Kristen says with a good-natured laugh. “Solid Ground” is the crossroads where Kristen’s earthy folksiness melds with her brazen prog-rock sensibility.
The poignant and autobiographical ballad “My Father’s Daughter” might be the closest song to Kristen’s heart on Language And Mirrors. Her father passed away when she was 18 (her father was 61 when Kristen was born). The track details the complexities inherent in having a relationship with someone with a similar story, and touches on the meaning of the album title, Language and Mirrors. Kristen expands: “The album’s concept centers around how the people closest to us reflect ourselves. They are our metaphorical mirrors.”
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Born of Chaos 4:230:00/4:23
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Driven Just to Roam 5:430:00/5:43
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Doesn't Make Sense 3:260:00/3:26
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Forever, Please 4:340:00/4:34
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0:00/5:18
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Solid Ground 4:440:00/4:44
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Solid Ground Echo 2:210:00/2:21
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0:00/3:58
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Honey Bee 4:320:00/4:32
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It Isn't About You 4:320:00/4:32
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My Father's Daughter 4:470:00/4:47
stuff you can hold in your hand
"Language & Mirrors" comes in a book-style digipack with art and lyrics.
The right kind of friction creates glorious sparks. Coursing within the heart and mind of singer-songwriter Kristen Rae Bowden is a beautiful turmoil of tenderness and willfulness. It’s a paradoxical sentiment also evident in her artistic sensibilities. On her masterful debut, Language and Mirrors, she fluidly, and authentically, inhabits earthy Americana and majestic orchestral rock.
Select album standouts include “Driven To Roam,” “Party On The Mountain,” “Solid Ground,” and “My Father’s Daughter.” “Driven To Roam” opens with a lilting melancholy piano figure, ethereal guitars, and smoldering vocals. Its orchestral expanse surges upward dramatically as the song unfolds, lending the feeling of an emotional odyssey. The country-tinged “Party On The Mountain” pines for those carefree nights of yore drinking in the fields of her hometown of Boone, North Carolina with her high school buds. “It’s one of the few songs I’ve written not inspired by feelings of frustration,” Kristen says with a good-natured laugh. “Solid Ground” is the crossroads where Kristen’s earthy folksiness melds with her brazen prog-rock sensibility.
The poignant and autobiographical ballad “My Father’s Daughter” might be the closest song to Kristen’s heart on Language And Mirrors. Her father passed away when she was 18 (her father was 61 when Kristen was born). The track details the complexities inherent in having a relationship with someone with a similar story, and touches on the meaning of the album title, Language and Mirrors. Kristen expands: “The album’s concept centers around how the people closest to us reflect ourselves. They are our metaphorical mirrors.”

